Set within the Kaga Domain in the Edo Period. Oharu is an excellent cook and recognized for her skills. Due to her cooking talents, she marries Yasunobu, who is an heir in the Funaki family. The Funaki family serves as the cook for the Kaga Domain. Nevertheless, Yasunobu himself is a terrible cook. With the help of Oharu’s mother-in-law Mitsuru, she begins to teach Yasunobu how to cook.

The hospitality division in Koichi Prefecture can’t promote the beautiful nature in the area due to a strict rule by the prefecture government. Popular writer and Koichi area native Kyosuke Yoshikado is appointed as a special envoy for tourism in the area. He then receives a recommendation to meet Seien, a former employee of Koichi Prefecture, who once hatched an unusual idea to promote tourism. Seien pushed forward a project to import pandas into the area, but lost his job because of that project. Meanwhile, hospitality division employees Fumitaka and Taki visits the tourist house which is run by Seien and his daughter. When they arrive, the daughter throws a bucket of water at them, still angry for the way her father was dismissed from his job. From there, a plan for the hospitality division is born.

Former college buddies Horaguchi and Okawa suddenly reunite on a whim after 15 years apart and try to resume their friendship by planning a trip together. Meanwhile, Okawa’s live-in girlfriend Kaede and the pair’s old friend Kyoko get roped into joining them. Soon, the four head off on a trip together with the goal of sharing sukiyaki by the sea.

The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”