An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver “Daddy” Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks’ mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

The Lone Rangers have heavy-metal dreams and a single demo tape they can’t get anyone to play. The solution: Hijack an AM rock station and hold the deejays hostage until they agree to broadcast the band’s tape.

35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.

Mavela, 15 years old, is a Black Bronx. She falls madly in love with Marwan, an extremely charismatic member of a rival gang, the 1080s. The young couple is forced to make a brutal choice between gang loyalty and the love they have for one another. An impossible dilemma.

Three estranged sisters deal with the death of their father.

Four women are given into the custody of the Magdalene sisterhood asylum to correct their sinful behavior: Crispina and Rose have given birth to a premarital child, Margaret got raped by her cousin and the orphan Bernadette had been repeatedly caught flirting with the boys. All have to work in a laundry under the strict supervision of the nuns, who break their wills through sadistic punishment.

Baker Dill is a fishing boat captain leading tours off a tranquil, tropical enclave called Plymouth Island. His quiet life is shattered, however, when his ex-wife Karen tracks him down with a desperate plea for help.

One morning, when Riley (Chantel Little) should be at classes, her mother Angie (Maissa Houri) hears a cellphone ringing from her bedroom, soon to discover Riley left her phone behind. She answers what is Riley’s best friend Mackenzie’s (Willow Mcgregor) third attempt to reach someone. After Angie asks if Riley is with her, she realizes Mackenzie was about to ask the same thing. Shortly after, Angie checks the main closet and finds Riley’s shoes are still there. Did she leave in the middle of the night or vanish into thin air? Riley’s circles paint a picture of the events surrounding her disappearance while exploring leads in what becomes a harrowing mystery of twists, turns, and answers that poses the question: Was it better to not know what really happened after finding out the truth?

The story of an unruly class of bright, funny history students at a Yorkshire grammar school in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master, a young and shrewd teacher hired to up their test scores, a grossly out-numbered history teacher, and a headmaster obsessed with results, the boys attempt to pass.

An ace police crisis negotiator, Chae-yoon, is called to the scene where her supervisor is taken hostage. Through the control room monitor, she is faced with the cold-blooded hostage taker, Tae-gu, whose demeanors are difficult to interpret. Against the 21-hour deadline Tae-gu has set, Chae-yoon tirelessly tries to crack the unusually calm perp over multiple video-calls. Eventually, the shocking truth begins to unveil.

Two victims of traumatized childhoods become lovers and psychopathic serial murderers irresponsibly glorified by the mass media.

An ornithologist mistaken for an explosives expert is sent alone into a small French town during WWI to investigate a garbled report from the resistance about a bomb which the departing Germans have set to blow up a weapons cache.