The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle, a rabid racist, wants no treatment from black resident Dr. Luther Brooks. When brother John dies while Luther tries to save him, Ray is certain it’s murder and becomes obsessed with vengeance. But there are black racists around too, and the situation slides rapidly toward violence.
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Wildcatter Jeff Dawson does his best to bring in a gusher in Mexico despite continual bandit raids. He asks for help from his ex-employer Ward Conway, but Conway, now married to Dawson’s ex-lover Marina refuses, fearing that his wife will want to renew her romance with the other man.
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Kessler’s lab was created to run drug trials to determine what went wrong with a once popular mood stabilizing drug. Dr. Martin Kessler cloned his own daughter, who died from the drug. Once with ten test subjects, he and Dr Josephine Vanderhill are now left with only a few dying, sick clones, and one healthy placebo, Jenny. Daniel Powell runs the day to day operations and tends to the clones, administering the very drug that is killing them. When Dr. Kessler unexpectedly dies, instead of shutting down the facility, Dr Vanderhill wants to intensify the testing. She targets Jenny, and convinces Daniel to administer the pills in highly concentrated doses, sure to be fatal. Now conflicted, Daniel is determined to stop her and save the clones.
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Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
Rebecca is suspicious of Ernessa, the new arrival at her boarding school. But is Rebecca just jealous of Ernessa’s bond with Lucie, or does the new girl truly possess a dark secret?