Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.
You May Also Like
A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers’ underground dance clubs.
Iris invites her friend Jack to stay at her family’s island getaway after the death of his brother. At their remote cabin, Jack’s drunken encounter with Hannah, Iris’ sister, kicks off a revealing stretch of days.
This 90-minute factual drama goes behind the scenes of the hit video game Grand Theft Auto, arguably the greatest British coding success since Bletchley Park. The fastest-selling entertainment product in history comes not from Silicon Valley, but is driven by a bunch of British game designers. Friends since their school days, they are led by the game’s mastermind-designer, Sam Houser. By 2002, Sam and his creative team have constructed for their fans a vast virtual world, teeming with a high-octane mix of criminal characters, lethal weapons and outrageous storylines. Here you can even shape and sculpt your avatar, crafting their character and appearance to your personal preference. This drama is for an adult audience and has not been authorised by the producers of Grand Theft Auto. Rather, it is based on court documents and interviews with many of those involved in the real events behind this compelling story.
“Selma,” as in Alabama, the place where segregation in the South was at its worst, leading to a march that ended in violence, forcing a famous statement by President Lyndon B. Johnson that ultimately led to the signing of the Civil Rights Act.
The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
George Clooney plays the dry cynical character of Ryan Bingham, an executive who specializes in “downsizing”. Ryan lives out of his suitcase, traveling the country for the sole purpose terminating unwanted employees day after day. Just as Ryan is about to reach his life-long goal of the ten million mile frequent flyer mark some major changes come his way. Changes that threaten to crack the cold heartless exterior that is Ryan Bingham.
For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.
Rookie cop, Amelia Donaghy reluctantly teams with Lincoln Rhyme – formerly the department’s top homicide detective but now paralyzed as a result of a spinal injury – to catch a grisly serial killer dubbed ‘The Bone Collector’. The murderer’s special signature is to leave tantalizing clues based on the grim remains of his crimes.
“Life is simpler in black and white.” This line, uttered midway through Bored in the U.S.A., could well serve as the film’s thesis statement. Following the budding friendship of Kelly (Kelly Lloyd, Baltimore Improv Group), a bored housewife, and Chris (Chris Milner, Comedy Central), a displaced Londoner, this film takes an honest look at life by disposing of conventional on-screen relationships. Bored exposes the inherent drama in the silences between what people say and don’t say to each other.