Lonely son of a Canadian preacher man Michael builds the first professional wrestling company in faraway Finland. Young transsexual wrestler Jessica infiltrates into the company contesting Michael both physically and ideologically. Anger and frustration get to Michael who is now 40 years old still looking for companion. He is looking for love, but first must learn not to hate. As Michael finds true love online he redefines his values, and reinvents himself as a wrestler in love.
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Continually smiling or laughing, this man, a self-acknowledged Nazi, proudly reveals that he went to the Congo to save Western civilization from Bolshevism — to complete the work of the Nazis. Dressed in his military jungle uniform (with his Second World War decorations) he waxes eloquent about the “colors” of South Africa, “explains” apartheid, and freely discusses his “adventures”. Shots of corpses, tortures, and executions of Blacks are intercut. It is not often that one can see and hear a real, “live” Nazi in action, talking (more or less) freely because he presumed him-self to be among friends instead of with two of the most cleverpolitical propagandists of our time, working for the other side.
Tells the story of Justin Bieber, the kid from Canada with the hair, the smile and the voice: It chronicles his unprecedented rise to fame, all the way from busking in the streets of Stratford, Canada to putting videos on YouTube to selling out Madison Square Garden in New York as the headline act during the My World Tour from 2010. It features Usher, Scooter Braun, Ludacris, Sean Kingston, Antonio “L.A.” Reid, Boyz II Men, Miley Cyrus, Jaden Smith, Justin’s family members and parts of his crew and huge fanbase in a mix of interviews and guest performances. It was released in 3D in theaters all around the world and is the highest grossing concert movie of all time, beating the previous record held by Michael Jackson’s This Is It from 2009.
Friends since high school, 20-somethings Kaleil Isaza Tuzman and Tom Herman have an idea: a Web site for people to conduct business with municipal governments. This documentary tracks the rise and fall of govWorks.com from May of 1999 to December of 2000, and the trials the business brings to the relationship of these best friends. Kaleil raises the money, Tom’s the technical chief. A third partner wants a buy out; girlfriends come and go; Tom’s daughter needs attention. And always the need for cash and for improving the site. Venture capital comes in by the millions. Kaleil is on C-SPAN, CNN, and magazine covers. Will the business or the friendship crash first?
From New York City to the farmlands of the Midwest, there are 50,000 Chinese restaurants in the U.S., yet one dish in particular has conquered the American culinary landscape with a force befitting its military moniker—“General Tso’s Chicken.” But who was General Tso and how did this dish become so ubiquitous? Ian Cheney’s delightfully insightful documentary charts the history of Chinese Americans through the surprising origins of this sticky, sweet, just-spicy-enough dish that we’ve adopted as our own.
From executive producer Zach Braff and director Jeremy Snead, “Video Games: The Movie” is an epic feature length documentary chronicling the meteoric rise of video games from nerd niche to multi-billion dollar industry. Narrated by Sean Astin and featuring in-depth interviews with the godfathers who started it all, the icons of game design, and the geek gurus who are leading us into the future, “Video Games: The Movie” is a celebration of gaming from Atari to Xbox and an eye-opening look at what lies ahead.
Once upon a time, villagers in a tiny hill town in Tuscany came up with a remarkable way to confront their issues: they turned their lives into a play. Every summer, their piazza became their stage and residents of all ages played a part – the role of themselves. Monticchiello’s annual tradition has attracted worldwide attention and kept the town together for 50 years, but with an aging population and a future generation more interested in Facebook than farming, the town’s 50th–anniversary performance just might be its last. SPETTACOLO tells the story of Teatro Povero di Monticchiello, interweaving episodes from its past with its modern-day process as the villagers turn a series of devastating blows into a new play about the end of their world.
America’s Blues takes a new angle on the Blues, focusing on, not only the musical impact it has had on all forms of Popular American Music, but also the influence it has had on art, fashion, language, film and racial equality.