Hyunjin, a test taker, moves into an old apartment. There are strange sounds from next door where a strange boy named Hyunggu lives. One day, Hyunggu and his mother are cruelly murdered.
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A self-centered realtor enlists the help of his neighbor when he’s suddenly left in charge of the granddaughter he never knew existed until his estranged son drops her off at his home.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.
Wind is blasting through your speeding car but the heat still burns your lips. The radio is pounding local pop hits from the 90s. Vodka gets poured down as if to quench a thirst. You let your head fall back and stare at the sky from under your cap, thinking: what the hell should I do with this life? And suddenly, the lyrics hit you – yes, you really need those loving arms around you.
A wealthy young man pursues a young woman of modest means, but circumstances often separate them as the years pass.
When Chili Ncgobo, an honest but ambitious undercover cop, is cheated out of a major reward by his corrupt superiors, he infiltrates a cash-in-transit heist gang, and instead of busting them, he decides to participate in a one off score. He must face off against his partner who refuses to let him do it and one of the gang members who recognizes him as a cop.
Ip Man’s peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family’s honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San.
Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.
A documentary filmmaker explores seemingly unrelated paranormal incidents connected by the legend of an ancient demon called the “kagutaba.”
Rex and his men aim to kill the homeless people living in a local deserted school hoping it’ll slow an ultra-deadly strand of COVID. Now, outnumbered 100 to 1, Hap must save his little sister.
Having just returned from a mission to Mars, Commander Ross isn’t exactly himself. He’s slowly becoming a terrifying alien entity with one goal — to procreate with human women! When countless women suffer gruesome deaths after bearing half-alien offspring, scientist Laura Baker and hired assassin Press Lennox use Eve, a more tempered alien clone, to find Ross and his brood. Before long Eve escapes to mate with Ross.
