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Buck Rogers in the 25th Century is an American science fiction adventure television series produced by Universal Studios. The series ran for two seasons between 1979–1981, and the feature-length pilot episode for the series was released as a theatrical film several months before the series aired. The film and series were developed by Glen A. Larson and Leslie Stevens, based upon the character Buck Rogers created in 1928 by Philip Francis Nowlan that had previously been featured in comic strips, novellas, a serial film, and on television and radio.
Set in a gripping vision of the near future, THE COMMONS is an absorbing character-driven relationship drama and a story about motherhood as the ultimate act of faith in humanity.
In the near future a new phenomenon starts happening all over the world with powerful flashes of light occurring in the ocean and people from the past mysteriously reappearing. Called “beforeigners,” these people come from three separate time periods: the Stone Age, the Viking era and late 19th century. A couple of years later, Alfhildr – who comes from the Viking Age – has to partner up with a burned-out police officer, Lars Haaland, to investigate the murder of a beforeigner. The pair begins to unravel a larger conspiracy behind the origin of the mysterious mass arrivals.
Set after the fall of the Empire and before the emergence of the First Order, we follow the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.
The year is 2020. Fifteen-year-old Noah lives with his family in the futuristic underground community of North Col. The world above is a frozen wasteland after a massive comet strike destroyed all other life in the world including the animals. One night, he accidentally time travels to the future and finds himself trapped in the year 2085 in a desolate desert place called Haven with a group of children, the Nomads, led by Arushka.
The Rocky & Bullwinkle Show is an American animated television series that originally aired from November 19, 1959, to June 27, 1964, on the ABC and NBC television networks. Produced by Jay Ward Productions, the series is structured as a variety show, with the main feature being the serialized adventures of the two title characters, the anthropomorphic moose Bullwinkle and flying squirrel Rocky. The main adversaries in most of their adventures are the Russian-like spies Boris Badenov and Natasha Fatale. Supporting segments include Dudley Do-Right, Peabody’s Improbable History, and Fractured Fairy Tales, among others.
Rocky & Bullwinkle is known for quality writing and wry humor. Mixing puns, cultural and topical satire, and self-referential humor, it appealed to adults as well as children. It was also one of the first cartoons whose animation was outsourced; storyboards were shipped to Gamma Productions, a Mexican studio also employed by Total Television. Thus the art has a choppy, unpolished look and the animation is extremely limited even by television animation standards. Yet the series has long been held in high esteem by those who have seen it; some critics described the series as a well-written radio program with pictures.
When Tony Stark branches his company into Japan, he is opposed by the nefarious Zodiac organization. It’s up to Stark’s Iron Man to defeat the Zodiac, and defend Japan.
Meet the team of the UMP cruiser, a barely-functional starship led by an aggressively cheerful Captain with a with a barely-competent crew, including a clueless navigator, a brain damaged mechanic, a bickering couple,a man with gills raised to be an organ farm for his brother and ART, the billionaire turned robot. When their ship is drawn into a different universe, they must to learn to work together while dealing with space clouds, robot rebellions, and the occasional alien attack.
